I do not like writing about rejection, but it is something that unfortunately happens in the publishing world, although in a perfect world, I wish for better. Rejection is canny as it feels the same no matter who you are talking to. It always feels one-sided, because one party is doing the rejecting. The person being rejected can really feel its sting. But, strangely, as odd as it seems, rejections in the publishing world have a positive side. Who would have thought that?

Rejection makes writers know which publishers they do not belong to. The publisher sees you as unsuitable—which must be a good thing as you can tick that part of the world off on your travels. Been there, done that. Though when the writer gets acceptances, they find a place in the publishing world. I came, I saw, I conquered, in other words. I found a place to belong. Rejections and acceptances work out to decide who is where on the publishing map.

But it’s not only the publisher doing the rejection. The writer can reject the publisher as well. In the end, we all know here we stand on the publishing map. Writers have a place in or outside that world.

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